Wiener Philharmonic Karl Bohm Claudio Abbado

Pollini plays flawlessly, with the greatest finesse and sensitivity, very much in tune with each composer's personal style. His performances are exemplary in every respect. The video and audio are quite acceptable, given their 1970s vintage. Böhm and Abbado are at home in this repertoire, and the Wiener Philharmoniker in excellent form, notwithstanding a few strange noises coming from the horns.

Between 1981 and 1984 Leonard Bernstein recorded nearly all of Brahmss orchestral works with the Wiener Philharmoniker to honor the 150th anniversary of the composer's birth in 1983. For the concertos, Bernstein enlisted the services of some of the finest Brahms interpreters of the time: the violoninst Gidon Kremer, the cellist Mischa Maisky and the pianist Krystian Zimerman. Leonard Bernstein, Krystian Zimerman, and the Wiener Philharmoniker, it's very hard to get a better group of musicians for these masterpieces. Mr. Zimerman and Mr. Wolfgang Herzer's piano cello duets in the third movement of Brahms' second is simply tearful.

Krystian Zimerman joined forces with Sir Simon Rattle and the London Symphony Orchestra last December in Beethoven’s five piano concertos. Their spellbinding performances, streamed on DG Stage from LSO St Luke’s and recorded live by Deutsche Grammophon, harvested a bumper crop of critical superlatives.

Leonard Bernstein filmed Piano Concertos 3, 4, and 5 in 1989, but did not live to film the first two. He died in 1990. So Krystian Zimerman, the pianist, paid tribute to Bernstein and rounded out the set in 1991 by both playing and conducting Concertos 1 and 2.

Daniel Barenboim conducts the Beethoven and Brahms Violin Concertos with the soloist Itzhak Perlman.

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These recordings, filmed in March and April 1974 for the BBC, occurred at the tail end of the old performance era and the very start of the new. Vladimir Ashkenazy was a graduate of the same Soviet school of piano playing that produced Sviatoslav Richter, Emil Gilels, Lazar Berman and a host of others of that era. There are simularities that unite them, including a broad romanticism, a degree of Lisztian showmanship coupled with periods of introspection, powerful technique that occasionally borders on pounding and an intellectual streak that produces some deeply insightful playing. Ashkenazy was younger than the others, more modern in his playing.

Malcolm Frager piano | Christian Zacharias plan | Dezsó Ránki plan | Aleksandar Madzar softlyOrchestra of the Radiotelevision of Italian Switzerland; Radio-Sinfonieorchester Stuttgart; English Chamber Orchestra; Royal Philharmonic OrchestraMarc Andreae, Gianluigi Gelmetti, Jeffrey Tate, André Previn

Virtuosos André Previn, Zoltán Kocsis and Heidrun Holtmann pay homage to Wolfgang Amadeus Mozart, performing piano concertos from different periods of the composer's life ("No.1, K.37"; "No.4, K.41"; "No.23, K.488"; and "No.24, K.491"). The pianists play in gorgeous baroque venues frequented by Mozart: Mantua's Teatro Scientifico del Bibiena, Prague's Rittersaal of Palais Waldstein and Vienna's Grosse Galerie of Schloss Schönbrunn.